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• HOME
  • About the Edition
  • Site map
  • Images of William Morris
• POETRY (portal)
• EARLY POEMS
  • Preface
  • Contents: Early Poems and Prose of William Morris
  • Early Poems 1-29
  • Early Poems 30-end
  • B. L. Ms. 45,298A
  • B. L. Ms. 45,298B
  • Supplementary Materials
    • Letter in Which Morris Discusses His Early Poems (May 1st, 1891)
    • Notes and Comments on "Scenes from the Fall of Troy," Dr. Peter Wright
    • Articles on Morris's Early Writings
      • Articles from The Journal of William Morris Studies
      • Baïssus, J. M. "Morris and the Oxford and Cambridge Magazine."JWMS 5.2 (Winter 1982): 2-13
      • Dewan, Pauline. "Patterns of Enclosure in Morris's Early Stories."JWMS 11.2 (Spring 1995): 9-11
      • Fletcher, Chris. "A Rediscovered and Partly Unpublished Morris Notebook."JWMS 14.3 (Winter 2001): 12-20.
      • Timo, Helen. "A Church Without God: William Morris's A Night in a Cathedral."JWMS 4.2 (Summer 1980): 24-31.

      Other Essays on the Early Writings:

      Boos, Florence S. "The Structure of Morris' Tales for the Oxford and Cambridge Magazine." Victorian Periodicals Review 20 (1987), 2-12.
      Gordon, Walter K. "Pre-Raphaelitism and The Oxford and Cambridge Magazine." Journal of the Rutgers University Library 29(1966), 42-51.
      Hosman, Robert Stahr. "The Germ (1850) and The Oxford and Cambridge Magazine (1856)." Victorian Periodicals Newsletter 4 (April 1969), 36-47. <>Hosman, Robert Stahr. "The Oxford and Cambridge Magazine." British Literary Magazines: The Victorian and Edwardian Age, ed. Alvin Sullivan. Westport, Conn.: Greenwood Press, 1984, 294-302.
      Le Mire, Eugene D., ed. Introduction, The Hollow Land and Other Contributions to the Oxford and Cambridge Magazine. Bristol: Thoemmes Press, 1996.

    • The Oxford and Cambridge Magazine 1856 (introduction and selections, Rossetti Archive)
    • The Oxford and Cambridge Magazine, text in pdf format
• THE DEFENCE OF GUENEVERE
  • Edition of The Defence of Guenevere, edited by Margaret Lourie
    • Preface
    • Critical Introduction
      • Morris and Medievalism
      • The Nineteenth Century Poetic Heritage
      • The Legacy of Guenevere
      • Source Notes
  • Text
  • Editorial Notes and Annotations
  • Kelmscott 1892 edition
  • 1875 edition
  • 1858 first ed.
  • Supplementary materials
    • Reviews
    • Recent Criticism
      • Berry, Ralph. "The Symbolism of William Morris." Ralph Berry, JWMS 3.4 (Winter 1978): 20-34.
      • Hodgson, Amanda. "Riding Together: William Morris and Robert Browning."JWMS 9.4 (Spring 1992): 3-7.
      • Hoskins, Robert. "Image and Motif in The Haystack in the Floods." JWMS 3.2 (Summer 1976): 4-7.
      • Jackson, Vanessa Furse. "'Two Red Roses Across the Moon'-Reconsidering Symbolic Implications." Vanessa Furse Jackson, JWMS 12.1 (Autumn 1996): 29-34.
      • Schofield, John. "The Defence of Guenevere and Contemporary Critics." JWMS 3.1 (Spring 1974): 27-30.
      • Helsinger, Elisabeth. "Lyric Colour: Pre-Raphaelite Art and Morris's The Defence of Guenevere." JWMS 15.4(2004): 16-40.
      • Braesel, Michaela. "The Influence of Medieval Illuminated Manuscripts on the Pre-Raphaelites and the Early Poetry of William Morris."JWMS 15.4 (2004): 41-54.
      • Miles, Rosie. "Illustrating Morris: The Work of Jessie King and Maxwell Armfield."JWMS 15.4 (2004): 109-135.
      • Williams, Todd O. "Teaching Morris's Early Dream Poems through the Three Registers." Todd O. Williams, JWMS 17.2 (Summer 2007): 99-114.
      • From Carole Silver, The Romance of William Morris, Ohio University Press, 1982, pp. 40-42, 45-46.
      • Armstrong, Isobel.
      • Balch, Dennis R. "Guenevere's Fidelity to Arthur in 'The Defence of Guenevere' and 'King Arthur's Tomb." Victorian Poetry 13.3-4 (1975): 61-70.
      • Boos, Florence. "Justice and Vindication in William Morris's 'The Defence of Guenevere.'" King Arthur Through the Ages, eds. Valerie M. Lagorio and Mildred Leake Day. Vol. 2. Garland Publishing, Inc.: New York, 1990.
      • Boos, Florence. "Sexual Polarities in The Defence of Guenevere." Browning Institute Studies 13 (1985), 181-200.
      • Calhoun, Blue.
      • Helsinger, Elizabeth.
      • Herbert, Karen. "Dissendent Language in The Defence of Guenevere." Victorian Poetry 34.3 (1996): 313-27. 299-312.
      • Kirchhoff, Frederick. William Morris: The Construction of A Male Self, 1856-1872. Ohio University Press, 1990, 70-81.
      • Sadoff, Diane. "Erotic Murders: Structural and Rhetorical Irony in William Morris' Froissart Poems," Victorian Poetry 13.3-4, 11-26.
      • Shaw, W. David. "Arthurian Ghosts: The Phantom Art of 'The Defence of Guenevere.'" Victorian Poetry 34.3 (1996): 299-312.
      • Spatt, Hartley. "William Morris and the Uses of the Past." Victorian Poetry 13.3-4 (1975): 1-9.
      • Struve, Laura. "The Public Life and Private Desires of Women in William Morris's 'Defence of Guenevere'." Arthuriana 6.3 (1996): 15-28.
    • lllustrations
• THE LIFE AND DEATH OF JASON
  • Edition text
  • Argument
  • Content - Books I through XVII
  • Kelmscott 1895 edition (flip-book)
  • Huntington ms. (flip-book)
  • Transcript ms. (text and folio images)
  • 1867 edition images (flip-book)
  • 1882 edition images (flip-book)
  • Collations 1 through 17
  • Supplementary materials
    • General introduction
    • Editions of Jason
    • Annotations
    • Index of places mentioned in the poem
    • Index of persons (mythological) mentioned in the poem
    • Maps
    • Sources for Morris's Argonauts
    • The Route of the Argonauts
    • Criticism of Jason Since 1900; bibliography (linked to criticism) and contemporary reviews
      • Kermode, Helen Sybil. "The Classical Sources of Morris's Life and Death of Jason." Primitiae: Essays in English Literature by Students of the University of Liverpool. Liverpool and London, 1912, 158-82.
      • Miles, Rosie. "Illustrating Morris: The Work of Jessie King and Maxwell Armfield."JWMS 15.4 (2004): 109-135.
• UNPUBLISHED TALES OF THE EARTHLY PARADISE
  • "The Wanderers"
    • Text
    • Textual notes
    • Annotations
  • "The Story of Dorothea"
    • Introduction
    • Text
    • Notes on Variants
    • Notes on Poem
    • Text and Notes in standard page (PDF)
    • Manuscript
  • "The Story of Orpheus and Eurydice"
    • Introduction
    • Text
    • Textual Notes
    • Annotations
    • Text and Variants in standard page-format (PDF file)
    • manuscript
    • Illustrations
  • "The Story of Aristomenes"
    • Text
    • Textual Notes
    • Annotations
    • Illustrations
    • Supplementary Materials
    • Manuscript
  • "The Wooing of Swanhild"
    • Text
    • Textual Notes
    • Annotations
    • Illustrations
    • Manuscript
  • Supplementary Materials
    • British Lib. mss.
    • Critical responses
      • "The Wanderers"
        • Boos, Florence, "The Evolution of the Wanderers' Prologue," Papers on Language and Literature 20.4 (1984), 397-417.
        • Holzman, Michael, "The First Version of 'The Wanderers'," The Journal of Pre-Raphaelite Studies 3.1(1982): 91-104. (pdf)
      • "The Story of Dorothea"
        • Goodwin, K.L. “An Unpublished Tale from The Earthly Paradise.” Victorian Poetry, 13 (Fall- Winter 1975): 91-102.
        • Literal and Literary Texts: Morris' 'Story of Dorothea,'" Victorian Poetry 34.3 (Autumn 1996): 339-39.
      • "The Story of Orpheus and Eurydice": "The Story of Orpheus and Eurydice": An Omitted Earthly Paradise Tale," Florence Boos, Journal of Pre-Raphaelite Studies 4.1 (November, 1983): 58-86.
      • "The Wooing of Swanhild"
      • "The Story of Aristomenes"
• THE EARTHLY PARADISE
  • Kelmscott edition
  • 1890 edition
  • 1868-70 first edition
  • Editorial material
    • General Introduction, by Florence S. Boos
    • Introduction to "Apology"
    • Introduction to "Prologue: The Wanderers"
    • Introduction to "Atalanta's Race"
    • Introduction to "The Man Born to Be King"
    • Introduction to "The Doom of King Acrisius"
    • Introduction to "The Proud King"
    • Introduction to "The Story of Cupid and Psyche"
    • Introduction to "The Writing on the Image"
    • Introduction to "The Love of Alcestis"
    • Introduction to "The Lady of the Land"
    • Introduction to "The Son of Croesus"
    • Introduction to "The Watching of the Falcon"
    • Introduction to "Pygmalion and the Image"
    • Introduction to "Ogier the Dane"
    • Introduction to "The Death of Paris"
    • Introduction to "The Land East of the Sun and West of the Moon"
    • Introduction to "Acontius and Cydippe"
    • Introduction to "The Lovers of Gudrun"
    • Introduction to "The Story of Rhodope"
    • Introduction to "The Man Who Never Laughed Again"
    • Introduction to "The Golden Apples"
    • Introduction to "The Fostering of Aslaug"
    • Introduction to "Bellerophon at Argos"
    • Introduction to "The Ring Given to Venus"
    • Introduction to "Bellerophon in Lycia"
    • Introduction to "The Hill of Venus"
    Supplementary materials
       Victorian Reviews
• Walter Pater, Westminster Review
• Alfred Austin, Temple Bar
• G. A. Simcox, Academy
• Spectator, unsigned
• Sidney Colvin, Academy
• G. W. Cox, Edinburgh Review
• Westminster Review, unsigned    

  More recent criticism        

  • Faulkner, Peter. "The Story of Alcestis in William Morris and Ted Hughes."JWMS 16.2/3(2005): 56-79.    
  • Hodgson, Amanda. "'The Highest Poetry': Epic Narrative in The Earthly Paradise and Idylls of the King," Victorian Poetry (1996): 341-54.
  • Julian, Linda. "Laxdaela Saga and 'The Lovers of Gudrun': Morris' Poetic Vision." Victorian Poetry (1996): 355-71.
  • Oberg, Charlotte, "The Role of the Hero," chapter II, A Pagan Prophet: William Morris, Charlottesville: University of Virginia Press, 1978.
  • ---------. "Conclusion." Ibid.   
  • Strode, Elizabeth. "The Crisis of The Earthly Paradise: Morris and Keats." Victorian Poetry 13.3-4 (1975): 71-81.
     
• Illustrations
• List of Drafts
• Sources
• Bibliography
• LOVE IS ENOUGH
  • Edition text
• Kelmscott 1897
• 1873 images
• 1873 text
• Huntington mss.
• Supplementary materials
  • Boos, Florence. "Love Is Enough as Secular Theodicy." Papers in Language and Literature 24 (1988), 53-80.
  • Dunlap, Benjamin. "Bear Me Witness to Love: Morris's Love is Enough." Victorians Institute Journal 2 (1973), 3-21.
  • Kirchhoff, Frederick. "Love is Enough: A Crisis in William Morris' Poetic Development." Victorian Poetry 15 (1977), 297-306.
  • Wilson, John R. "William Morris's Love is Enough: A Parabolic Morality." Pre-Raphaelite Review 1 (1977), 16-26.
• SIGURD THE VOLSUNG
  • Edition text, Bk. I
  • Kelmscott 1898
  • 1876 edition
  • Book II
  • Book III
  • Book IV
  • 1876 edition
  • Manuscripts
        Supplementary materials
  • Contemporary reviews
  • Later criticism
    • Balch, Dennis, "'The Lovers of Gudrun,' Sigurd the Volsung, and The House of the Wolfings: Three Chapters in a Tale of the Individual and the Tribe," After Summer Seed: Reconsiderations of William Morris's Sigurd the Volsung, Shiremanstown, Pennsylvania: William Morris Society in the United States, 1977. [pdf format]
    • Ennis, Jane, "The Role of Grimhild in Sigurd the Volsung,"JWMS 8.3 (Autumn 1989): 13-23.
    • Ennis, Jane, "Imagery of Gold in Sigurd the Volsung,"JWMS 11.4 (Spring 1996): 20-26.
    • Spatt, Hartley, "Morrissaga: Sigurd the Volsung," After Summer Seed: Reconsiderations of William Morris's Sigurd the Volsung, Shiremanstown, Pennsylvania: William Morris Society in the United States, 1977. [pdf format]
    • Tucker, Herbert, "All for the Tale: The Epic Macropoetics of Morris' Sigurd the Volsung," Victorian Poetry 34.3 (1996): 373-394.
    • Ugolnik, Anthony. "The Victorian Skald: Old Icelandic and the Evolution of William Morris' Sigurd the Volsung," After Summer Seed: Reconsiderations of William Morris's Sigurd the Volsung, Shiremanstown, Pennsylvania: William Morris Society in the United States, 1977. [pdf format]
    • Silver, Carole, The Romance of William Morris, Ohio University Press, 1982, 111-119.
  • Bibliography
  • Illustrations
  • Sources
• POEMS BY THE WAY
  • Edition text 1891
  • Kelmscott 1st edition
  • Trade edition 1891
       Supplementary materials
  • Boos, Florence. "Narrative Design in The Pilgrims of Hope." Socialism and the Literary Artistry of William Morris, edited Florence Boos and Carole Silver. Columbia, Missouri: University of Missouri Press, 1990.
  • Faulkner, Peter. "The Male as Lover, Fool and Hero: 'Goldilocks' and the Late Prose Romances." Victorian Poetry 34.3 (1996): 413-24.
  • Goodwin, Kenneth. "The Summation of a Poetic Career: Poems by the Way," Victorian Poetry 34.3 (1996): 397-410.
  • Latham, David, ed. and intro. Poems by the Way, Bristol: Thoemmes Press, 1994.
  • Salmon, Nicholas. "The Communist Poet-Laureate: William Morris's Chants for Socialists." Nicholas Salmon, JWMS 14.3 (Winter 2001): 31-40. [.pdf]
  • Salmon, Nicholas. "The Serialisation of The Pilgrims of Hope." Nicholas Salmon, JWMS 12.2 (Spring 1997): 14-25. [.pdf]
  • Waters, Chris. "Morris's Chants and the Problem of Socialist Culture." Socialism and the Literary Artistry of William Morris, edited Florence Boos and Carole Silver. Columbia, Missouri: University of Missouri Press, 1990.
• LIST OF ALL POEMS AND MANUSCRIPTS
  • Early poems
  • Poems of the Earthly Paradise period
  • Earthly Paradise drafts
  • Poems Written After 1875
  • Translations
  • Poems in Prose Romances
  • British Library MSS.
• PROSE (portal)
• POLITICAL ROMANCES
  • A Dream of John Ball
    • Text of A Dream of John Ball
    • Kelmscott Press Edition 1892
      
    • First Edition images London: Reeves and Turner, 1888
    • Supplementary Material:
      • Headnote 
      • Criticism    
        • Boos, Florence. "History as Fellowship in Morris's Literary Writings." William Morris Today, 1981.
        • Boos, Florence. “Victorian Alternative Futures: ‘Historicism,’ Past and Present, and A Dream of John Ball,” in History and Community: Essays in Victorian Medievalism, ed. Florence Boos. New York: Garland Publishing Inc., 1992, 3-37.
        • Hilton, Rodney. The Change Beyond the Change: A Dream of John Ball. William Morris Society, 1990.
        • Holzman, Michael. The Encouragement and Warning of History: William Morris's A Dream of John Ball. Socialism and the Literary Artistry of William Morris, eds. Florence Boos and Carole Silver. Columbia, Missouri: U Missouri Press, 1990, 98-116.
        • Kegel, Charles H. "William Morris's A Dream of John Ball: A Study in Reactionary Liberalism." Papers of the Michigan Academy of Science, Arts, and Letters: 1954, 40, part 4 (1955), 303-312. (pdf)
        • Kocmanova, Jessie. "Two Uses of the Dream-Form as a Means of Confronting the Present with the National Past: William Morris and Svatopluk Cech." Brno Studies in English 2 (1960), 113-48.
        • Oberg, Charlotte. Chapter VII, "The Uses of History," A Pagan Prophet: William Morris. Charlottesville: University of Virginia Press, 1978.
      • Salmon, Nicholas. "The Revision of A Dream of John Ball." JWMS 10.2 (Spring 1993): 15-17 [PDF].
      • Salmon, Nicholas. "A Reassessment of A Dream of John Ball." JWMS 14.2 (Spring 2001): 29-38 [PDF].
      • Timo, Helen. "'A Not So Golden Age': The Genesis of Morris's A King's Lesson."JWMS 7.4 (Spring 1988): 16-18 [PDF].
      • Boos, Florence. "History as Fellowship in Morris's Literary Writings." William Morris Today, 1981.
  • The House of the Wolfings
    • Text of The House of the Wolfings
    • First Edition: The House of the Wolfings, London: Reeves and Turner, 1889
         Supplementary Materials: Criticism
  • Salmon, Nicholas. "A Study in Victorian Historiography: William Morris's Germanic Romances." JWMS 14.2 (Spring 2001): 59-89.
  • Boos, Florence. “Morris’s German Romances as Socialist History,” Victorian Studies 27.3 (Spring, 1984):
    321-42.
  • Mathews, Richard. "Introduction," A Tale of the House of the Wolfings and all the Kindreds of the Mark. North Hollywood, Calif.: Newcastle, 1978, 5-10.
  • Oberg, Charlotte. "The Uses of History," in A Pagan Prophet: William Morris, Charlottesville: University of Virginia Press, 1978.
  • The Roots of the Mountains
    • Text of The Roots of the Mountains
    • The Roots of the Mountains, first edition London: Reeves and Turner, 1890 images
      
    • The Roots of the Mountains, manuscript
        Supplementary Materials
  • Hansen, Regina. "Forms of Friendship in The Roots of the Mountains." JWMS 11.3 (Autumn 1995): 19-21.
  • Boos, Florence. “Morris’s German Romances as Socialist History,” Victorian Studies 27.3 (Spring, 1984):
    321-42.
  • Mathews, Richard. "William Morris's Roots: History into Metaphor." Cahiers Victoriens et Edouardiens 16 (1982), 69-76.
  • Shippey, T. A. "'Goths and Huns: The Rediscovery of the Northern Cultures in the Nineteenth Century," in The Medieval Legacy: A Symposium, ed. Andreas Haarder, et al. Odense: Odense Unversity Press, 1982, 51-69.
  • News from Nowhere
    • Text of News from Nowhere
    • News from Nowhere, Kelmscott Press Edition, 1892
    • News from Nowhere, First edition, Boston: Roberts Brothers, 1890 images
    • News from Nowhere, First British edition, London: Reeves and Turner, 1891 images
        Supplementary Materials and Criticism
  • An illustrated on-line edition of News from Nowhere
  From the Journal of William Morris Studies:
  • Baker, Lesley A. "An Old House Amongst New Folk." JWMS 8.4 (Spring 1990): 24-27.
  • Coleman, Roger. "Design and Technology in Nowhere." JWMS 9.2 (Spring 1991): 28-39.
  • Delveaux, Martin. "From Pastoral Arcadia to Stable-State Mini-Cities: Morris's News from Nowhere and Callenbach's Ecotopia." JWMS 14.1 (Autumn 2000): 75-81.
  • Ebbatson, J. R. "Visions of Wild England: William Morris and Richard Jefferies." JWMS 3.3 (Spring 1977): 12-29.
  • Jacobs, Naomi. "Beauty and the Body in News from Nowhere." JWMS 12.2 (Spring 1997): 26-30.
  • Highfill, Jannett. "International Trade in News from Nowhere." JWMS 12.2 (Spring 1997): 31-35.
  • Faulkner, Peter. "News from Nowhere in Recent Criticism." JWMS 5.3 (Summer 1983): 2-7.
  • Fellman, Michael. "Bloody Sunday and News from Nowhere." JWMS 8.4 (Spring 1990): 9-18.
  • Holm, Jan. "The Old Grumbler At Runnymede."JWMS 10.2 (Spring 1993): 17-21.
  • Macdonald, Alex. "The Revision of News from Nowhere." JWMS 3.2 (Summer 1976): 8-15.
  • Macdonald, Alex. "The Liveliness of News from Nowhere: Structure, Language and Allusion." Alexander MacDonald, JWMS 10.2 (Spring 1993): 22-26.
  • Marsh, Jan. "News from Nowhere as Erotic Dream." JWMS 8.4 (Spring 1990): 19-23.
  • Mineo, Ady. "Eros Unbound: Sexual Identities in News from Nowhere." JWMS 9.4 (Spring 1992): 8-14.
  • Nichols, Ashton. "Liberationist Sexuality and Nonviolent Resistance: The Legacy of Blake and Shelley in Morris's News from Nowhere." Ashton Nichols, JWMS 10.4 (Spring 1994): 20-27.
  • Pinkney, Tony. "Cycling in Nowhere."JWMS 13. 2 (Spring 1999): 28-33.
  • Gilbert, Nathaniel. "The Landscape of Resistance in Morris's News from Nowhere."JWMS 16/23 (2005): 22-37.
  • Morrs's Ethics, Cosmopolitanism, and Globalisation." Regenia Gagnier, JWMS 16/23 (2005): 9-30.
  • "Kinetic Utopias: H. G. Wells's A Modern Utopia and William Morris's News from Nowhere." Tony Pinkney, JWMS 16/23 (2005): 49-55.
  • David Latham. "Hope and Change: Teaching News from Nowhere." JWMS 17.2 (Summer 2007): 6-23.
  • Vervaecke, Philippe. "Teaching News from Nowhere in France for the CAPES and the Agrégationin English Studies, 2004-2006." JWMS 17.2 (Summer 2007): 24-40.
  • Maloney, Kathleen. "Studying the Past, Envisioning the Future: Teaching History via William Morris's News from Nowhere." JWMS 17.2 (Summer 2007): 41-53.
  • Miles, Rosie. "Teaching Morris Online."JWMS 17.2 (Summer 2007): 54-72.
  • Miller, Elizabeth Carolyn. "Collections and Collectivity: William Morris in the Rare Book Room." JWMS 17.2 (Summer 2007): 73-88.
  • McKinstry, Susan Jaret. "Taking Our Eyes Out of Our Pockets: Teaching William Morris's Ideal Book." JWMS 17.2 (Summer 2007): 89-98.
  Other Articles:
  • Boos, Florence S. "An (Almost) Egalitarian Sage: William Morris and Nineteenth-Century Socialist-Feminism." Victorian Sages and Cultural Discourse: Regnegotiating Gender and Power, ed. Thais E. Morgan, New Brunswick and London: Rutgers University Press, 1990.
  • Boos, Florence S. "News From Nowhere and 'Garden Cities': Morris's Utopia and Nineteenth-Century Town-Design." Journal of Pre-Raphaelite Studies n. s. 7.2 (Fall 1998): 5-27.
  • Boos, Florence S. and William Boos. "News from Nowhere and Victorian Socialist Feminism." Nineteenth-Century Contexts 14.1 (1990): 3-32.
  • Boos, Florence and William Boos. "Orwell's Morris and 'Old Major's' Dream," English Studies 71.4 (1990), 361-71.
  • Boos, Florence S. "Personal and Political Lieux d'Anticipation in News from Nowhere." William Morris, News from Nowhere, Ouvrage Collectif Coordonné par Béatrice Laurent (Editions du Temps: Nantes, 2004): 93-107.
  • Boos, Florence and William. "The Utopian Communism of William Morris." History of Political Thoguht 7.3 (1986): 489-510.
  • Carré, Jacques. "Architecture, Utopia and History in Morris's Thought [PDF]." Morris Day
    8 January 2005, Université Paris 13, Jacques Carré (Université Paris IV-Sorbonne)
  • Marsh, Jan. "Concerning Love: News From Nowhere and Gender." William Morris & News from Nowhere: A Vision for Our Time. Eds. Stephen Coleman and Paddy O'Sullivan. (Bideford, Devon: Green Books, 1990): 107-125.
  • Talbot, Norman. "A Guest in the Future: News from Nowhere." Socialism and the Literary Artistry of William Morris. Eds. Florence S. Boos and Carole G. Silver. (Columbia, MO: University of Missouri Press, 1990): 38-60.
  • Trouvé-Finding, Susan. "Real and Imaginary Topography in News from Nowhere [PDF]." Morris Day, 8 January 2005, Université Paris 13, Susan Trouvé-Finding, Université de Poitiers
  • Watkinson, Ray. "The Obstinate Refusers: Work in News From Nowhere." William Morris & News from Nowhere: A Vision for Our Time. Eds. Stephen Coleman and Paddy O’Sullivan. (Bideford, Devon: Green Books, 1990): 91-106.
• LATE ROMANCES
  • The Story of the Glittering Plain
    • Text of The Story of the Glittering Plain
    • Kelmscott Press Edition 1891
    • The Story of the Glittering Plain, first edition London: Reeves and Turner, 1891
    • The Story of the Glittering Plain, English Illustrated Magazine 1890 Supplementary Material: Criticism
      • Dewan, Pauline. "Circular Designs in Morris's The Story of the Glittering Plain." JWMS 12.4 (Spring 1998): 15-20.
      • Oberg, Charlotte. Chapter VII, "The Quester Triumphant: Man and Earth Made New," in A Pagan Prophet: William Morris, Charlottesville: University of Virginia Press, 1978.
      • Talbot, Norman. "The First Modern 'Secondary World' Fantasy: Morris's Craftsmanship in The Story of The Glittering Plain." JWMS 13. 2 (Spring 1999): 3-11.
      • Talbot, Norman, ed. and intro. The Story of the Glittering Plain and Child Christopher. Bristol: Thoemmes Press, 1996.
  • The Wood Beyond the World
    • Text of The Wood Beyond the World The Wood Beyond the World, Kelmscott Press Edition 1894
    • The Wood Beyond the World, London: Lawrence and Bullen, 1895
    Supplementary Materials: Criticism
    
    • Cooper, Jane S. "The Iceland Journeys and the Late Romances." JWMS 5.4 (Winter 1983-84): 40-59.
    • Dodds, Andrew. "A Structural Approach to The Wood Beyond the World."JWMS 7.2 (Spring 1987): 26-28.
    • Faulkner, Peter. "The Male as Lover, Fool and Hero: 'Goldilocks' and the Late Prose Romances." Victorian Poetry 34.3 (1996): 413-24.
    • Newman, Hilary. "Water in William Morris's Late Prose Romances." JWMS 13.4 (Spring 2000): 41-47.
    • "The Influence of De La Motte Fouqué's Sintram and His Companions on William Morris's The Wood Beyond the World." Hilary Newman, 47-53.
    • Medleson, Michael. "Opening Moves: The Entry into the Other World," Extrapolation 25 (1984), 171-79.
    • Shippey, Tom. Introduction, The Wood Beyond the World. Oxford: OUP, 1980, v-xix.
  • The Water of the Wondrous Isles
    • Text of The Water of the Wondrous Isles
    • The Water of the Wondrous Isles, Kelmscott Press Edition 1897 images
    • The Water of the Wondrous Isles, First trade edition, London, New York and Bombay: Longmans, Green and Co., 1897
        Supplementary Materials, Criticism
  • Bennett, Phillippa. "Rediscovering the Topography of Wonder: Morris, Iceland, and the Late Romances."JWMS 16/23 (2005): 38-48.
  • Boos, Florence. “The Socialist New Woman in William Morris’s The Water of the Wondrous Isles,” Victorian Literature and Culture, Vol. 23(1995): 159-75.
  • Boos, Florence. “Gender Division and Political Allegory in The Last Romances of William Morris.” Journal of Pre-Raphaelite Studies I.2 (1992): 12-23.
  • Cooper, Jane S. "The Iceland Journeys and the Late Romances."JWMS 5.4 (Winter 1983-84): 40-59.
  • Gopen, George D. "The Music of the Mind: Structure and Substance in William Morris's The Water of the Wondrous Isles."JWMS 16.2/3 (2005), 92-102.
  • Newman, Hilary. "Water in William Morris's Late Prose Romances." JWMS 13.4 (Spring 2000): 41-47.
  • Silver, Carole. "Socialism Internalized: The Last Romances of William Morris." Socialism and the Literary Artistry of William Morris, edited Florence Boos and Carole Silver. Columbia,
    Missouri: University of Missouri Press, 1990.
  • Talbot, Norman, "'Whilom, as tells the tale': The Language of the Prose Romances." JWMS 8 (1989): 16-25.
  • Talbot, Norman, ed. and intro. The Water of the Wondrous Isles. Bristol: Thoemmes Press, 1994.
    
  • The Well at the World's End
    • Text of The Well at the World's End
    • The Well at the World's End, Kelmscott edition 1896 images
    • The Well at the World's End, 2 vols. London, New York and Bombay: Longmans, Green, 1896.
  Supplementary Material: Criticism
  • Cooper, Jane S. "The Iceland Journeys and the Late Romances." JWMS 5.4 (Winter 1983-84): 40-59.
  • Birch, Dinah. "Morris and Myth: A Romantic Heritage."JWMS 7.1 (Autumn 1986): 5-11.
  • Boos, Florence. “Gender Division and Political Allegory in The Last Romances of William Morris.” Journal of Pre-Raphaelite Studies I.2 (1992): 12-23.
  • Newman, Hilary. "Water in William Morris's Late Prose Romances."JWMS 13.4 (Spring 2000): 41-47.
  • The Sundering Flood
    • Text of The Sundering Flood
  • The Sundering Flood, Kelmscott Edition 1898 images
  • The Sundering Flood, first trade edition, London: New York and Bombay: Longmans, Green and Co., 1898 images
  Supplementary Material
  • "The Iceland Journeys and the Late Romances." Jane S. Cooper, JWMS 5.4 (Winter 1983-84): 40-59.
  • 'An Icelandic Tale Re-Told': William Morris's Sundering Flood." Helen A. Timo, JWMS 7.1 (Autumn 1986): 12-16.
  • Morris and Traditional Storytelling." John Purkis, JWMS 11.1 (Autumn 1994): 16-18.
  • Boos, Florence. “Gender Division and Political Allegory in The Last Romances of William Morris.” Journal of Pre-Raphaelite Studies I.2 (1992): 12-23.
• JOURNALS/ESSAYS
  • Icelandic Journals
    • 1871 Journey to Iceland
      • Published version, Collected Works of William Morris, vol. 8, 1911
        (pdf images)
      • Images, Morris's handwritten diaries, slightly different from the published version (British Library Manuscripts)
      • Notes for 1871 Journals, arranged by date of entry
    • 1873 Journey to Iceland
    • Images, Icelandic Journal for 1873, Collected Works, vol. 8, 1911 (pdf images)
      (pdf images)
    • Other Supplementary Materials:
      • Headnote
      • lllustrations
      • Maps
      • List of Persons Mentioned
      • List of Places Mentioned
      • Critical Articles
        • Aho, Gary. "Following in the Footsteps of William Morris." Atlantica and Iceland Review 20 (Winter 1982), 84-93.
        • Aho, Gary. "William Morris and Iceland." Kairos 1, no. 2(1982), 102-33.
        • Aho, Gary. “`Međ Island á heilanum’: Islandsbæekur breskra ferđalanga 1772 til 1897,” Skírnir, 167 (1993), 205-258.
          English version: "Iceland on the Brain: British Travellers to Iceland from 1172 to 1897."
        • Aho, Gary, Intro. Three Northern Love Stories and Other Tales. Bristol: Thoemmes Press, 1996.
        • Bartels, Dennis. "William Morris and Iceland's Hydrogen Economy."JWMS 15.3 (2003): 34-35.
        • Cooper, Jane S. "The Iceland Journeys and the Late Romances." JWMS 5.4 (Winter 1983-84): 40-59.
        • Preston, Peter. "'The North Begins Inside': Morris and Trollope in Iceland."JWMS 14.2 (Spring 2001): 8-28.
        • Wiens, Pamela Bracken. "Fire and Ice: Clashing Visions of Iceland in the Travel Narratives of Morris and Burton." JWMS 11.4 (Spring 1996): 12-18.
        • Wawn, Andrew. "William Morris and the Translation of Iceland," in Shirley Chew and Alistair Stead (eds), Translating Life: Studies in Transpositional Aesthetics (Liverpool: Liverpool University Press, 1999), 253-76.
      • Icelandic Translation
  •  Gothic Architecture
    • Images of the Kelmscott Press Edition 1893
    • Text (1889)
    • Images, British Library Manuscript
    • Headnote
• TRANSLATIONS (portal)
• The Ordination of Knighthood
• Edition text
• Ellis note
• Kelmscott 1892-93 images
• Huntington mss. images
• Supplementary materials
  • Headnote
  • Variants
  • Criticism
• Child Christopher and Goldilind the Fair
  • Edition text
  • Kelmscott Edition Vol. I images
  • Kelmscott Edition Vol. II images
  • Supplementary materials
    • Mathews, Richard. Introduction, Child Christopher and Goldilind the Fair. North Hollywood, California: Newcastle Publishing Company, 1977.
  • Talbot, Norman, ed. and intro. The Story of the Glittering Plain and Child Christopher. Bristol: Thoemmes Press, 1996.
  • Beowulf
    • The Tale of Beowulf Done Out of the Old English Tongue. Trans. By William Morris and A. J. Wyatt. Kelmscott Press, 1895, Images.
    • The Tale of Beowulf, Images, London: Longmans, Green and Co., 1898.
    • Text, The Tale of Beowulf, Collected Works of William Morris, vol. X, London: Longmans, 1911.
    • Supplementary Materials:
      • Headnote
      • Criticism
  • Of the Friendship of Amis and Amile
    • Text, "Of the Friendship of Amis and Amile"
    • Kelmscott Press Edition, 1894.
  • The Tale of King Florus and the Fair Jehane
    • Text, "The Tale of King Florus and the Fair Jehane"
    • Kelmscott Press, London, 1893.
  • The Story of King Coustans and of Over Sea
    • Text, "The Story of the Emperor Coustans and of Over Sea"
    • Kelmscott Edition, London, 1894.

 

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