Morris and the Book Arts
Buxton Forman, H., The Books of William Morris Described. London: Frank Hollings, 1897 [reprinted 1976]. Formerly the standard bibliography of Morris's books despite the inclusion of forgeries and piracies perpetrated by the author and his friend Thomas J. Wise; for the current standard bibliography, see Eugene LeMire, A Bibliography of William Morris, below.
Coupe, Robert L. M., Illustrated Editions of the Works of William Morris in English: A Descriptive Bibliography. New Castle, DE: Oak Knoll Press, 2002. Second edition, 2011.
Cowan, Yuri. "Collaboration, Translation, and Reception: Editing Caxton for the Kelmscott Press." To Build a Shadowy Isle of Bliss: William Morris and the Embodiment of Dreams, Mc-Gill-Queens University Press, 2014, 316-63.
Dunlap, Joseph R., The Book That Never Was. New York, 1971. Account of the projected illustrated edition of Morris's The Earthly Paradise, which partially came to fruition a century later in the Rampant Lion Press version of The Story of Cupid and Psyche produced in 1974.
Dunlap, Joseph R. "Morris and the Book Arts Before the Kelmscott Press." Victorian Poetry 13.3 and 4 (1975), 141-157.
Faulkner, Peter. "The Kelmscott Chaucer and the Golden Cockerel Canterbury Tales," JWMS 19.1 (Winter 2010), 66-88.
LeMire, Eugene D. A Bibliography of William Morris, London: British Library; Newark, Delaware: Oak Knoll Press, 2006.
Marsh, Jan. "Books in Bottles? William Morris and the Demise of Printing," JWMS 201.2 (Summer 2013).
Peterson, William S., A Bibliography of the Kelmscott Press. Oxford UP, 1984. Definitive, detailed information on the Kelmscott Press: includes provenance information and notes on particular copies and related materials.
The Kelmscott Press Golden Legend: A Documentary History of its Production, Together with a Leaf from the Kelmscott Edition, ed. William S. Peterson. [College Park], 1990. Leaf book with introduction and facsimiles of related documents.
Peterson, William S., The Kelmscott Press: A History of William Morris's Typographical Adventure. Oxford UP, 1991. By far the best book on the subject, offering not only a detailed history of the Press but analysis of Morris's aesthetic seen in the context of Victorian printing. An essential work, superseding almost everything else written on the subject.
Sparling, Henry Halliday,The Kelmscott Press and William Morris, Master Craftsman. London, 1924. Earlier history of the Kelmscott Press, incorporating Cockerell's checklist. Now superseded by Peterson's History.
The Typographical Adventure of William Morris. [London: William Morris Society, 1957]. Catalogue of a traveling exhibition organized by the William Morris Society in 1957. Places Morris's work in context of other printers and designers from 1850 to 1940.
William Morris And the Art of the Book, ed. Charles Ryskamp. New York: Oxford UP, 1976. Catalogue of the exhibition held at the Pierpont Morgan Library in 1976. With essays: "William Morris: Book Collector" by Paul Needham; "William Morris: Calligrapher" by Joseph Dunlap; and "William Morris: Typographer" by John Dreyfus. Detailed and illustrated, an essential source.
Thompson, Susan Otis, American Book Design and William Morris. New York, 1977; reprinted Newark, DE, 1996. Pioneering study of the influence of Morris's Kelmscott Press on American publishers and printers.
Walsdorf, John, William Morris in Private Press And Limited Editions. Phoenix: Oryx Press, 1983. Useful bibliographical catalogue of books by and about Morris issued 1890-1982 in limited or fine editions.
Samuels Lasner, Mark, William Morris: The Collector as Creator. New York: Grolier Club, 1996. Checklist of the exhibition held at the Grolier Club, 1996–97, listing books owned and read by Morris and examples of Morris's own works in literature, politics, and the book arts.
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